Showing posts with label East Coast. Show all posts
Showing posts with label East Coast. Show all posts
Thursday, April 18, 2013
hERETICS iN tHE lAB - "tHE nOTHINGS" (live)
So, I suppose I should do my every-so-often tithe to the local scene. OK, it's not like that. But hERETICS iN tHE lAB is a local industrial rock band in the Hampton Roads, VA, area that you should be paying attention to. This song is kind of scratchy, but it has that kind of nineties style that a lot of people like, including me.
Monday, March 4, 2013
Lenorable - "Ligeia"
Lenorable is another band that played at Axum on Saturday. I didn't get to see them play, because I had to head back on my somewhat long trip home. But after having listening to their stuff, I really wish I had stayed. They feel like a mix of gothic rock and straight-up electropunk.
Sunday, March 3, 2013
dharmata 101 - "Oxygen"
I watched this band live at Axum Lounge in DC last night, and I have to say that I liked what I saw. Here's their video for what I think is the most danceable song dharmata 101 played. I will warn you that if rapidly blinking things aren't good for you, you may want to consider just listening to the song while covering the page with another tab.
Wednesday, February 27, 2013
Spider Lilies - "Serene" + tour date
You already saw this video if you read my interview with Stacey Campbell from a little while back, but I wanted to use this opportunity to show it to you again and to tell you that Spider Lilies is playing this Saturday at Axum Lounge. If you want to see Spider Lilies play, this is just as good of a time as any. There will also be sets by Nila Kay, These Future Saints, Dharmata 101, Lenorable, and Pleasure Curses. For more information about the event, go here.
Monday, January 14, 2013
Interview with Stacey Campbell
For most of you, if Stacey Campbell's name rings a bell, you're probably thinking, "Oh, didn't she used to play guitar and backup vocals for The Crüxshadows?" Yes, that is correct. But what a lot of you may not know (unless you read my previous article about her) is that she has been making a fair amount of music since leaving The Crüxshadows. Her project, Spider Lilies, has been going on for a while now. But you don't really need me to explain it to you again, do you? Why have me talk about it when Stacey can talk about it much better than I can?
Audio Cantrips: Although the intention of this interview is to be forward-looking and talk about your new stuff, admittedly, a lot of people out there may not even know you've been making music or doing anything at all since your exit from The Crüxshadows. Could you briefly explain in just a general sense what you've been doing since then?
Stacey Campbell: I resurrected the Spider Lilies project because I was inspired to finish some of my own musical ideas, and create new songs, with the ability to see them through to the end. The Spider Lilies has gone through some lineup changes, and I think each member has had a positive influence on the Spider Lilies sound.
Audio Cantrips: I've been listening to "Serene", and I can't help but to think there's a bit of industrial influence in it. There's a bit more scratchiness and buzzing to the background, and from 0:07 to 0:13, that almost reminded me of something I would have heard from a slower nineties-style Nine Inch Nails song. Am I completely off my rocker here? Even if you don't believe there's a distinct industrial influence, it does sound more electronic than what I've been used to hearing from Spider Lilies. Is that a new trend?
Stacey Campbell: I've always liked industrial music, but it doesn't come through in my music so much, maybe because I incorporate such strong melody. I am honored that you hear some 90's NIN influence! I love Nine Inch Nails for their harsh electronic sound, but sexy rhythms. For Serene, I used dubstep drum loops, but nothing too extreme. Serene has kind of a sexy rhythm too, I think.
Audio Cantrips: Is it safe to assume there's a new album coming in the near future? If so, what can you tell us about it?
Stacey Campbell: I am working on some ideas for a new album, but I can't say when it will be finished. Serene will probably included. I have another danceable track I've been working on, and a ballad.
Audio Cantrips: What can you tell us about the inspirations for your music? In particular, I'm very curious about about the lyrics. Many of your songs seem to be about pain or revenge. Are these songs derived from personal experiences?
Stacey Campbell: Yes, they are mostly derived from personal experiences, or an interpretation of an experience that didn't happen to me, but I found inspiring. Sometimes I take inspiration from other art and string it together in some kind of poetic collage, to ultimately form some kind of surreal vision or journey. My hope is that even if I don't spell out a situation entirely, the listener will feel and imagine things as they listen, and then my songs will develop a personal significance for them.
Audio Cantrips: I'm under the impression most people are capable of reading your "About" section on the band's Facebook page, so I won't ask you about who your influences are musically. But I was wondering if you could tell us a bit more depth in how they influence you. What would you say you like about what other musicians do and try to incorporate in your own work?
Stacey Campbell: Some artists are strong lyrical influences certain artists like The Cure, Stevie Nicks, Sinead O'Connor, Ego Likeness, and Nine Inch Nails encourage me to try to open up and write lyrics that have poetic quality, but are also raw and truthful as possible, even if the truth is hidden in metaphor. A lot of the darkwave/EBM influences I've listed (VNV Nation, Covenant) encourage me to create rhythms that make people want to dance and move, to make the live experience fun and exciting for us and for the audience. Many of these bands are ones I sing along with in my car. I often think of it as a sort of vocal training, so of course they are influences!
Audio Cantrips: I haven't heard of you all touring much as of late. You've only played a few live shows right around the DC area. Do you intend to go on tour anytime soon? If not, do you intend to do more live shows locally, at least? What about Dragon*Con?
Stacey Campbell: I would like to finish the next album, and plan more of a tour when its done. Until then, we've been playing shows every so often around the region. The DC metro area is a good place for random shows, because we have DC, Baltimore, Virginia, and the New York metro area to book, without having too far to travel in a short amount of time. We play whenever there's a good opportunity that we are able to take. We still have to work music into our lives with full-time regular job schedules, and Chad lives a few hours away, so scheduling can be challenging. It's also difficult sometimes to switch gears from writing to performing, psychologically and temporally. Practicing, planning, promoting, booking and performing live shows is a different mindset than dreaming and writing, so if possible, I prefer to get the writing done first, and then take the results on tour to share with the world. It just takes longer that way. Sorry about that.
Audio Cantrips: You all did a gig at the Multiple Sclerosis Fantasy Ball in October 2012. It was part of a major event for charity, and there were a number of bands there. Could you tell us a bit more about your show there and what it was like?
Stacey Campbell: The show was a lot of fun, and for a good cause. We played a short set, and had some unusual technical difficulties resulting from interference with my wireless microphone. Even so, it was a great experience, and we'd love to do it again! I still have tons of pictures I need to post from the ball.
Audio Cantrips: What has been your most memorable Spider Lilies live event?
Stacey Campbell: DragonCon, definitely. It was fantastic to be up on stage with Rachel McDonnell again for that show. The crowd was excellent, and filled with some of our biggest fans and dear friends.
Audio Cantrips: Finally, what are your future plans for the short and long-term?
Stacey Campbell: I'm not sure whether these goals will end up as short or long-term achievements, but I'd like to finish the next album, do a short tour and more shows in the region to support it, and build up our live show with more members and perhaps some enhanced visuals. Then... do it all again!
Audio Cantrips: Although the intention of this interview is to be forward-looking and talk about your new stuff, admittedly, a lot of people out there may not even know you've been making music or doing anything at all since your exit from The Crüxshadows. Could you briefly explain in just a general sense what you've been doing since then?
Stacey Campbell: I resurrected the Spider Lilies project because I was inspired to finish some of my own musical ideas, and create new songs, with the ability to see them through to the end. The Spider Lilies has gone through some lineup changes, and I think each member has had a positive influence on the Spider Lilies sound.
Audio Cantrips: I've been listening to "Serene", and I can't help but to think there's a bit of industrial influence in it. There's a bit more scratchiness and buzzing to the background, and from 0:07 to 0:13, that almost reminded me of something I would have heard from a slower nineties-style Nine Inch Nails song. Am I completely off my rocker here? Even if you don't believe there's a distinct industrial influence, it does sound more electronic than what I've been used to hearing from Spider Lilies. Is that a new trend?
Stacey Campbell: I've always liked industrial music, but it doesn't come through in my music so much, maybe because I incorporate such strong melody. I am honored that you hear some 90's NIN influence! I love Nine Inch Nails for their harsh electronic sound, but sexy rhythms. For Serene, I used dubstep drum loops, but nothing too extreme. Serene has kind of a sexy rhythm too, I think.
Audio Cantrips: Is it safe to assume there's a new album coming in the near future? If so, what can you tell us about it?
Stacey Campbell: I am working on some ideas for a new album, but I can't say when it will be finished. Serene will probably included. I have another danceable track I've been working on, and a ballad.
Audio Cantrips: What can you tell us about the inspirations for your music? In particular, I'm very curious about about the lyrics. Many of your songs seem to be about pain or revenge. Are these songs derived from personal experiences?
Stacey Campbell: Yes, they are mostly derived from personal experiences, or an interpretation of an experience that didn't happen to me, but I found inspiring. Sometimes I take inspiration from other art and string it together in some kind of poetic collage, to ultimately form some kind of surreal vision or journey. My hope is that even if I don't spell out a situation entirely, the listener will feel and imagine things as they listen, and then my songs will develop a personal significance for them.
Audio Cantrips: I'm under the impression most people are capable of reading your "About" section on the band's Facebook page, so I won't ask you about who your influences are musically. But I was wondering if you could tell us a bit more depth in how they influence you. What would you say you like about what other musicians do and try to incorporate in your own work?
Stacey Campbell: Some artists are strong lyrical influences certain artists like The Cure, Stevie Nicks, Sinead O'Connor, Ego Likeness, and Nine Inch Nails encourage me to try to open up and write lyrics that have poetic quality, but are also raw and truthful as possible, even if the truth is hidden in metaphor. A lot of the darkwave/EBM influences I've listed (VNV Nation, Covenant) encourage me to create rhythms that make people want to dance and move, to make the live experience fun and exciting for us and for the audience. Many of these bands are ones I sing along with in my car. I often think of it as a sort of vocal training, so of course they are influences!
Audio Cantrips: I haven't heard of you all touring much as of late. You've only played a few live shows right around the DC area. Do you intend to go on tour anytime soon? If not, do you intend to do more live shows locally, at least? What about Dragon*Con?
Stacey Campbell: I would like to finish the next album, and plan more of a tour when its done. Until then, we've been playing shows every so often around the region. The DC metro area is a good place for random shows, because we have DC, Baltimore, Virginia, and the New York metro area to book, without having too far to travel in a short amount of time. We play whenever there's a good opportunity that we are able to take. We still have to work music into our lives with full-time regular job schedules, and Chad lives a few hours away, so scheduling can be challenging. It's also difficult sometimes to switch gears from writing to performing, psychologically and temporally. Practicing, planning, promoting, booking and performing live shows is a different mindset than dreaming and writing, so if possible, I prefer to get the writing done first, and then take the results on tour to share with the world. It just takes longer that way. Sorry about that.
Audio Cantrips: You all did a gig at the Multiple Sclerosis Fantasy Ball in October 2012. It was part of a major event for charity, and there were a number of bands there. Could you tell us a bit more about your show there and what it was like?
Stacey Campbell: The show was a lot of fun, and for a good cause. We played a short set, and had some unusual technical difficulties resulting from interference with my wireless microphone. Even so, it was a great experience, and we'd love to do it again! I still have tons of pictures I need to post from the ball.
Audio Cantrips: What has been your most memorable Spider Lilies live event?
Stacey Campbell: DragonCon, definitely. It was fantastic to be up on stage with Rachel McDonnell again for that show. The crowd was excellent, and filled with some of our biggest fans and dear friends.
Audio Cantrips: Finally, what are your future plans for the short and long-term?
Stacey Campbell: I'm not sure whether these goals will end up as short or long-term achievements, but I'd like to finish the next album, do a short tour and more shows in the region to support it, and build up our live show with more members and perhaps some enhanced visuals. Then... do it all again!
Wednesday, January 9, 2013
Interview with DJ Jason from ABSOLUTION
We have a treat for all of you, today, particularly if you're big into the club scene. DJ Jason from ABSOLUTION, a big club night in New York City, has been gracious enough to answer my questions. This is definitely something you want to read if you're interested in what it's like to be a DJ in NYC.
Audio Cantrips: DJ Jason, from what I understand, you are one of two DJs who regularly spin at ABSOLUTION, a long-running goth-industrial night in Manhattan, New York City. Could you briefly explain ABSOLUTION to those of us who are not from NYC?
Jason: Absolution came from a special event by the same name that I started in 1998 at CBGBs. I brought together all of the area's Goth and Industrial DJs to spin at a great NYC venue. It was a multiple DJ event with each DJ spinning a short set (usually only 30 minutes). At that time, it had not been done in the US before. In fact, it remained the only event to have that structure as a theme in NYC through to 2010. http://absolutionnyc.com/1998/07/24/absolution-2-passes/
Today, Absolution is a production company that produces many different events for the NYC Goth scene. Some of the current events include Absolution, NYC's original multi dj goth & industrial event, Incantation, NYC's festival style goth band event, and Through The Mirror, a goth dance event in a private space. www.AbsolutionNYC.com
Audio Cantrips: Being in a huge city has innate benefits when trying to drum up support for events. You obviously have a larger pool of potential customers to market your services. Do you think the sheer size of New York City has helped in making ABSOLUTION thrive? Does the expected logic hold?
Jason: People often forget that in the USA only a few large cities had worthwhile goth nightlife in the beginning. NYC, LA, SF, Chicago and Boston's scenes were the only places where truly underground dark music and appropriately large corresponding band culture was in the states. As is such, the NYC scene has a different energy than newer places. The band culture in NYC is definitely a plus as the many cool musicians are great patrons and good looking guests at events.
Audio Cantrips: Are there other aspects of NYC, itself, that help or hinder the success of the event night?
Jason: New York City is a major destination and important transportation hub and therefore it is the first stop for most traveling foreign goths as well as many US goth travelers.
Audio Cantrips: Obviously, there are goth-industrial nights in countless other places on Earth, but do you feel like you could do what you do in a totally different city? If you did go to a different city to DJ another goth-industrial night, what would be the same for you and what would be different?
Jason: It's a well known truth for New York DJs of nearly any genre that spinning anywhere else is much easier.
Audio Cantrips: What do you feel has gained credibility for ABSOLUTION over time and helped it to remain alive for so many years?
Jason: Absolution was formed with instant credibility, since I already was the only DJ for the longest running and biggest pure Goth club in NYC's history, Alchemy at CBGB's 313 Gallery, when I created it. http://absolutionnyc.com/1996/09/09/alchemy-gothic-mondays/
Audio Cantrips: What do you enjoy about being a DJ? What makes you get up in the morning and want to tackle the day's work?
Jason: Breaking new music, setting a good example for other DJs/Promoters/Band Bookers/Organizers, hearing from fans that you have changed their lives, making certain that the sound system is operating at peak performance, giving something special, holding to proper tradition… and also, the obvious stuff like watching the crowd go wild and controlling the dance floor.
Audio Cantrips: What displeases you about the job?
Jason: Hobbyist DJ politics in the age of the internet.
Audio Cantrips: Going back to talking about ABSOLUTION, itself, I notice there is a distinct dress code. What prompted this? How strictly is this enforced?
Jason: We simply don't advertise towards or otherwise encourage mainstream people to attend. We have a good doorman to ensure that quality people are let in. There is a suggested dress code for goths.
Audio Cantrips: Finally, what are your goals and ambitions for ABSOLUTION in the short and long-term?
Jason: I'd rather not say, since that would be giving away too much and in this field one can not stay ahead by broadcasting future plans to the world. ;)
Tuesday, January 1, 2013
Freezepop - "Doppelganger"
Who is in the mood for something a little different, this afternoon? As you can possibly figure out, I like a little bit of electroclash, as well, and Freezepop fits the bill as a mix of electroclash, synthpop, and other genres. One thing that makes Freezepop really enjoyable to me is the fact they don't take themselves seriously, at all. It can be a real breath of fresh air.
The final cut of the "Doppelganger" video was made by chopping up the Badd-bagg mix and Goodnice mix and sewing pieces of each together. Each of those videos have novelty of their own, so I totally recommend you watch them, too. But in regard to the song, it tells the story of how vexed the main character is by the fact an ex seems to have found a new girlfriend who is seemingly almost exactly like her. This song is more serious than some of Freezepop's other work, which is saying quite a bit, as this song is kind of light and airy, itself.
Freezepop, in general, is sit-back-and-relax music. Although you certainly can move to a number of the songs, I don't think it's really meant for that. That being said, Freezepop shows can get seriously crazy, but that's because a lot of what makes the band special is in the visual spectacles they make. For instance, if you look at their performance of "Super-sprøde" from 2005, you can see that Freezepop cares very much about having a nutty holistic experience for their fans. So, all in all, if you're into this kind of music, you'll probably like Freezepop. If you're not, at least check them out. You might find yourself enjoying them, purely due to the change of pace it gives you. Also, they're based in Boston, so if you have a compulsion for supporting your local scene, it's certainly worth taking a look.
The final cut of the "Doppelganger" video was made by chopping up the Badd-bagg mix and Goodnice mix and sewing pieces of each together. Each of those videos have novelty of their own, so I totally recommend you watch them, too. But in regard to the song, it tells the story of how vexed the main character is by the fact an ex seems to have found a new girlfriend who is seemingly almost exactly like her. This song is more serious than some of Freezepop's other work, which is saying quite a bit, as this song is kind of light and airy, itself.
Freezepop, in general, is sit-back-and-relax music. Although you certainly can move to a number of the songs, I don't think it's really meant for that. That being said, Freezepop shows can get seriously crazy, but that's because a lot of what makes the band special is in the visual spectacles they make. For instance, if you look at their performance of "Super-sprøde" from 2005, you can see that Freezepop cares very much about having a nutty holistic experience for their fans. So, all in all, if you're into this kind of music, you'll probably like Freezepop. If you're not, at least check them out. You might find yourself enjoying them, purely due to the change of pace it gives you. Also, they're based in Boston, so if you have a compulsion for supporting your local scene, it's certainly worth taking a look.
This is the post where I talk about Spider Lilies.
A new year is supposed to be all about new beginnings, but I'm going to start off 2013 with a bit of nostalgia.
Who remembers Stacey Campbell, former guitarist and backup vocalist for The Crüxshadows? She had been around for Wishfire, Ethernaut, Frozen Embers, and Echoes and Artifacts. I know I certainly remember her, because she was my favorite member when I first got into that band. I was actually quite sad to see her leave. After she left, I heard a little something about her being in another band, but I didn't keep up with it.
That other band she went to was Spider Lilies, the band she had created before her stint with CXS. She likes to call it "electronic dark rock", although there are a number of people out there who like to stick the darkwave label on the band. Regardless of what anyone wants to call it, it's incredible. It's dark and broody, but the beats aren't lethargic. If you want a good idea of what to start with, my favorite songs are "Mirror in the Dark" and "Nearly Forgotten" from Cyclogenesis, "My Love" and "In the Light" from In the Light, and "Disaster (The Prime Time Player Mix by The Dark Clan)" and "Mirror in the Dark (Clan of Xymox Mix)" from Eyes of the Storm, Spider Lilies's remix album.
I wish the band had more influence outside of Washington, DC. They went to Dragon*Con once, as far as I know, but the band has mostly stuck around the Mid-Atlantic region. They don't seem to play too many shows, either. The last one was on October 27, 2012, at the Multiple Sclerosis Fantasy Ball with a number of other bands. The show before that was in July. From what I understand, they haven't really toured in recent days (if at all).
This band is nothing short of amazing and is on my top five bands/musicians I simply have to see live within the next year (with I:Scintilla, Unter Null, and Tying Tiffany being easily in that list, too, but I'd have to think about who'd take the last slot). With that, I leave you with their ReverbNation streaming playlist.
Who remembers Stacey Campbell, former guitarist and backup vocalist for The Crüxshadows? She had been around for Wishfire, Ethernaut, Frozen Embers, and Echoes and Artifacts. I know I certainly remember her, because she was my favorite member when I first got into that band. I was actually quite sad to see her leave. After she left, I heard a little something about her being in another band, but I didn't keep up with it.
That other band she went to was Spider Lilies, the band she had created before her stint with CXS. She likes to call it "electronic dark rock", although there are a number of people out there who like to stick the darkwave label on the band. Regardless of what anyone wants to call it, it's incredible. It's dark and broody, but the beats aren't lethargic. If you want a good idea of what to start with, my favorite songs are "Mirror in the Dark" and "Nearly Forgotten" from Cyclogenesis, "My Love" and "In the Light" from In the Light, and "Disaster (The Prime Time Player Mix by The Dark Clan)" and "Mirror in the Dark (Clan of Xymox Mix)" from Eyes of the Storm, Spider Lilies's remix album.
I wish the band had more influence outside of Washington, DC. They went to Dragon*Con once, as far as I know, but the band has mostly stuck around the Mid-Atlantic region. They don't seem to play too many shows, either. The last one was on October 27, 2012, at the Multiple Sclerosis Fantasy Ball with a number of other bands. The show before that was in July. From what I understand, they haven't really toured in recent days (if at all).
This band is nothing short of amazing and is on my top five bands/musicians I simply have to see live within the next year (with I:Scintilla, Unter Null, and Tying Tiffany being easily in that list, too, but I'd have to think about who'd take the last slot). With that, I leave you with their ReverbNation streaming playlist.
Sunday, December 23, 2012
KMFDM tour dates for the East Coast
(Picture by Whalen647. All applicable licenses can be found here.)
March 17 - Atlanta, GA
March 18 - Falls Church, VA
March 19 - Philadelphia, PA
March 20 - Boston, MA
March 21 - New York, NY
March 22 - Pittsburgh, PA
If you want more information on the tour, go check out KMFDM's tour section on the official website or the official KMFDM Facebook page. These people have been around for more than two decades, and it's fantastic that they're still going strong.
Saturday, December 22, 2012
Emilie Autumn's "Fight Like A Girl" tour
One thing that I want to do with this blog is show off tour dates for relevant musicians when they come to my general region, which in this case, is the East Coast of the US. I'm not sure if I'll make a sidebar or something for it, but I'll definitely keep people posted as best as I can.
For my first post about this kind of thing, I think it's fitting to mention Emilie Autumn's big "Fight Like A Girl" tour. It looks like she's doing South America, first, but she's coming back to the northern continent with a first stop in Pittsburgh, PA, on January 13, 2013. Here are her East Coast stops for the tour:
January 13 - Pittsburgh, PA
(Photo by Murdoch666 from Flickr, CC Attribution 2.0 Generic License)
For my first post about this kind of thing, I think it's fitting to mention Emilie Autumn's big "Fight Like A Girl" tour. It looks like she's doing South America, first, but she's coming back to the northern continent with a first stop in Pittsburgh, PA, on January 13, 2013. Here are her East Coast stops for the tour:
January 13 - Pittsburgh, PA
January 15 - Washington, DC
January 16 - Richmond, VA
January 18 - Greensboro, NC
January 19 - Atlanta, GA
January 20 - Orlando, FL
January 21 - Ft. Lauderdale, FL
January 23 - Saint Petersburg, FL
February 20 - Boston, MA
February 22 - New York, NY
February 23 - Philadelphia, PA
If you want more details, including times for all stops, non-East Coast dates, and ticket information, check out Emilie Autumn's official website or her official Facebook page.
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